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Some photos from Dante’s Divine Comedy in New Norcia, 20 August 2016


St Gertrude’s College at sunrise, New Norcia.

Here are a few photos from last week’s trip to New Norcia.  I thought it was one of those lovely coincidences that the Divine Comedy was being performed on the Feast Day of the Cistercian Abbot, St Bernard of Clairvaux, the saint whom Dante held up as the paragon of mystical contemplatives and has himself meeting in the highest level of the Paradiso.


Father David Barry plays Dante


Mary Creed as Beatrice.


Fr David Barry as Dante with Abbot Bernard Rooney as Virgil, his guide through Hell and Purgatory.


The ceiling of St Gertrude’s Chapel, where the first half of the Divine Comedy was performed.


St Ildephonsus’ Chapel, where the second half of the Divine Comedy was performed.


Inside St Ildephonsus’ Chapel, New Norcia


The monks of New Norcia, entering St Ildephonsus’ Chapel for the second half of the performance.


Dante’s Divine Comedy performed by the monks and friends of New Norcia


Fr John Herbert, Walter Cerquetti Lippi (producer and director), Abbot Bernard Rooney and Fr David Barry discussing the performance.


Walter Cerquetti Lippi, Director and Producer of The Divine Comedy, New Norcia.

Walter Cerquetti Lippi at the age of 79 is still a powerhouse of activity.  His passion for Sacred Theatre has spurred him to produce at least 125 Mystery Plays since 1967, as well as other plays with a religious theme, such as the Ecstasies of St Therese of Lisieux, St Francis of Assisi and Murder in the Cathedral, in venues as diverse as Rome, Florence, Vienna, the Festival of Canterbury, Slovakia and Australia.

Sacred Theatre has a long tradition dating back to the fall of the Roman Empire, around 500 A.D.  Abbeys used drama and Mystery plays to explain the Passion, the Nativity, and the Miracles of Jesus to the largely illiterate population.   Indeed, the first published woman playwright was a Benedictine nun – Hildegard of Bingen, with the oldest surviving morality play being her Ordo Virtutum.

Walter described for us how he sees his role in the production of Sacred Theatre as a form of self-development for his own interior life, in the manner of Dante whose writing of the Divine Comedy was itself a guide for his soul’s journey.


The Abbey Church, New Norcia, at dawn.


The monastery town of New Norcia from the East, across oat fields.


Front view of the Abbey Church, New Norcia


The monastery orchard, New Norcia, on the east side.


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21st Sunday in Ordinary Time, Year C | The Divine Comedy takes me to New Norcia


Dante’s Divine Comedy performed by the monks and friends of New Norcia

Last weekend, I had the opportunity of visiting New Norcia, Australia’s only monastic town, for the Benedictine Community’s presentation of Dante’s Divine Comedy (I picked up the 100th of 100 tickets, after a cancellation, so I took it as a sign that God had intended me to be there!

After the previous week’s shenanigans, I was in sympathy with Dante, who was exiled from his beloved Florence during the turbulent political battles between the white and black Guelphs in the period immediately following the Guelph-Ghibelline conflict of the late 13th century.  One can see him reassessing his situation in the opening lines of the Divina Commedia.

In the midway of this our mortal life, I found me in a gloomy wood, astray

It’s interesting how God works in our lives, because if Dante had not been exiled from Florence, he might never have written this work which is arguably the pinnacle of Italian literature, not only during the Medieval period, but of all time.  Dante’s gift was to create in poetic form a kind of applied Thomistic universe – Dante takes us on a tour of the spiritual cosmos so that we can see the effects of our choices played out in our destination after departing this earthly life.  James Hitchcock in History of the Catholic Church, describes Dante’s contribution like this:

Scholasticism, a comprehensive system that sought to understand every aspect of reality in relation to the whole, expressed the idea of Christendom itself, the organization of the entire universe according to an overriding spiritual principle. 

This sense of unity was carried to its highest point by Dante, whose Divine Comedy, written in the early fourteenth century, was the most vivid expression of that ideal, bringing together abstract doctrine and concrete humanity in a great imaginative unity, an epic drama that revealed the divine plan and the way in which divine justice governed the universe. 

In the Comedy, Dante, lost and spiritually imperilled by his illicit and unrequited love for the memory of a deceased married woman named Beatrice, received from God – at Beatrice’s entreaty – the guidance of the Roman poet Virgil, who took him on a tour of Hell and Purgatory to show him the reality of sin … 

Dante’s tour of Hell revealed that punishment for sin was not an arbitrary divine decree but rather the patterns of human behaviour carried into eternity, with the sinner suffering in ways that were the natural and inevitable results of his earthly behaviour: the lustful blown helplessly about like dry leaves, because they allowed their passions to dominate them; the gluttonous force-fed to the point of continuously regurgitating their food; the hypocrites weighed down by heavy-leaden robes that appeared beautiful on the outside.  The men and women in Hell were shown to be not so much damned by God as having damned themselves, by refusing to repent of their choices and accept the grace that would have enabled them to overcome their vices either during their lives on earth or in Purgatory. 

Dante delineated a hierarchy of sins that, as a Thomist, he based on human reason.  Thus the worst sins were lying, deceit, and treachery – the use of the intellect to subvert the truth rather than to disclose it.  Those guilty of such sins, especially Judas, were trapped in ice in the lowest depths of Hell, because of their calculating and unloving acts of betrayal. 

An equivalent array of sinners were in Purgatory, where, however, they had the joy of the certainty of eventual salvation, their crucial difference from the souls in Hell being the fact that they had repented and accepted divine mercy.  The sufferings of Purgatory were not so much punitive as therapeutic, purifying the soul and making it worthy of Paradise. 

Virgil could show Dante the nature of evil because, as a good pagan, the Roman poet understood the natural law.  But also as a pagan, he could not enter Heaven, at whose gates Beatrice herself became Dante’s guide, since by her prayers Dante’s disordered human love had been transformed into an understanding of divine love. 

Beatrice guided Dante through the levels of Paradise on an upward spiritual journey that was the reverse of his journeys through Hell and Purgatory.  The experience of Paradise was overwhelmingly that of a light so bright that it obscured much of what Dante encountered, of which he was not as yet worthy.  In his spiritual ascent, he encountered the great saints, who by their words and deeds illustrated the hierarchy of virtues.  His final guide in Paradise was St Bernard (Dante as author giving him the honour of that role because Bernard had reached the heights of contemplation and because of his deep devotion to the Virgin Mary).  Dante was finally drawn upward to the ultimate union of love with truth: “Like a wheel that as a whole rotates, my yearning and my will were borne along by the love that moves the Sun and all the stars.” 

Dante revealed the ordered unity of the cosmos itself, the linkage between Heaven and earth.  But his great poetic synthesis was created at the very point when Christendom was on the verge of unravelling.

How appropriate then, that the Gospel for the 21st Sunday is on the subject of “last things”(Luke 13:22-30).

Through towns and villages Jesus went teaching, making his way to Jerusalem. Someone said to him, ‘Sir, will there be only a few saved?’ He said to them, ‘Try your best to enter by the narrow door, because, I tell you, many will try to enter and will not succeed.

 ‘Once the master of the house has got up and locked the door, you may find yourself knocking on the door, saying, “Lord, open to us” but he will answer, “I do not know where you come from.”  Then you will find yourself saying, “We once ate and drank in your company; you taught in our streets” but he will reply, “I do not know where you come from. Away from me, all you wicked men!”

  ‘Then there will be weeping and grinding of teeth, when you see Abraham and Isaac and Jacob and all the prophets in the kingdom of God, and yourselves turned outside. And men from east and west, from north and south, will come to take their places at the feast in the kingdom of God.

  ‘Yes, there are those now last who will be first, and those now first who will be last.’

This is an extremely difficult message for many Christians, because we don’t want to believe that anyone will end up in hell.  I have even heard many priests say that Judas might not be in hell.  But then it would make nonsense of these words of Jesus, “but woe to that man by whom the Son of Man is betrayed! It would have been better for that man if he had not been born.” (Mark 14:21)

So, if you’re disturbed by the idea of hell, pray harder, pray and fast for your friends and relations, for those you love, and for those you find it hard to love.

In my next post, I will feature some photos from New Norcia.

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Photos from last weekend’s retreat

Retreat at the Avalon Homestead, Toodyay

Retreat at the Avalon Homestead, Toodyay

Last weekend was a wonderful opportunity to take time out from ordinary life and focus on prayer.  Did you think a retreat was time spent drifting among the flowers and enjoying the birdsong?  Think again: this one was like physical training!  Except it wasn’t PT, but more like a workout at the gym to train our Spiritual Muscles.

How often do we take the time to set goals in our spiritual lives, to review what God is asking of us and assess where we have let him down?  A good retreat will allow you to move forward purposefully, knowing that God has a plan for you.

These retreats are held about every six months, so if anyone would like to join us next year, please let me know.  We have separate ones for men and women, just in case you’re wondering.

Example of schedule here: Retreat timetable


Fr Anthony Bernal

More information on Retreats: To Make a Good Retreat

Finally, I must thank our wonderful hosts, Peter and Delveen, at the Avalon Homestead.  The meals were excellent, the rooms beautifully appointed, and our hosts were very accommodating of our request to create a chapel in their conference room!